poland s father and son records and tapes present first proper outing from label boss maciek sienkiewicz - three heavily edited tunes from different periods of popular music history. -the white sheik- turns an obscure 80s eastern bloc groove into a full-on modern disco stormer, while -no shit sherlock- is 70s brazilian fusion redux. finally, the title track turns first few notes of one massive pop hit from 02 into hypnotic, entrancing journey in the vein of terry riley or philip glass. fantastic cover art designed especially for this release by renowned contemporary artist paulina olowska.

adapter makes his debut on desolat naples native antonio russo aka adapter joins the desolat family with a sublime four track ep entitled ‘gain. with previous outings on the likes of get physical, octopus or viva, adapter already proved to be in a rich vein of form, and here he goes one step further

illusion recordings off shoot label innercircle is back for its fourth edition with french house wizard andrade stepping up for his debut ep with the illusion crew. andrade featured a remix on inc003 on james barnsley s huge spellbinder ep and after delivering the goods illusion were keen for him to flex his musical muscles across a full ep.
andrade has been on a rich vein of form recently releasing on delano smiths mixmode label, one records and dessous to widespread acclaim, cementing his standing as one of the most talented house producers around.

introducing damien zala... the next promising young frenchman to release on hold youth. although relatively unknown, his first album *lonely happiness* received strong support from theo parrish, norm talley and luke hess amongst others. combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. hold youth provide a breeding ground for open-minded and innovative music, and zalas second life ep ticks all the right boxes. exploring sounds from a broad spectrum, *ms blue* is the moody opener that creates a melange of raw minimal jazz, while the b side continues in this vein with more of an obvious off-key german micro house influence. *considered done* references the late herbie hancock, sampling his voice over a flowing piano melody and punchy bass line, while *tribute to willy simon* goes all out funky, full of brass, with a classic hip hop swagger.

the tracks here are in the brutalist machine house vein and the source material for * we come together* (by mazi as asp and john griffin as awoke) will be familiar to devotees of roots chicago house. the brodanse brothers * sleep won t come* is remixed by audio soul project and awoke. chicago based multi-instrumentalist jonn wallen contributes the dense * aesthete* under pseudonym *by gordon gartrelle*. * we get together* is a tribute to the 90s house that inspired us to start making music years ago. people reminisce about how things used to be better, but you must breath in the present. we keep with us those hallowed bones but let pain and suffering fade into the mist. we let memories fade in the depths of our neural web so as not to be paralyzed by the burden of sentiment. we forget to stay sane.

for their third release, jaunt> records returns to the guiding hand of its founders, blackhall & bookless. the label has made a well documented great start to life - and jr003 continues in a similarly enchanting vein. getting us underway on the differences ep is straightener. a techno bomb with lashings of low end bass frequencies, it saunters about with an uncompromising swagger thatll tear up the dancefloor.

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

repitch recordings is pleased to present three new tracks from chicagos stave (j. krohn). *after the social* follows an ep on the irish imprint rensmat and lp on chicago based fss. the new ep continues exercises in foundsound, distortion, and repetition, *after the social* introduces a new challenge to the growing stave catalogue. in the same vein as his work with downwards recording duo talker, krohn continues with the drenched dark tones and distorted drums with this repitch release. influences of punk, metal, noise, detroit techno and ambient all combine to form an uneasy mix of melody and rhythm. the legendary downwards boss karl o connor offers a brilliant mix of *hardened chord* — using the original to create a 4/4 path of destruction.

the groove brothers, aka jef k and rhythm&soul, keep things moving with the second release on their fledgling label, on a mission records. it’s been seven months since the label’s debut, demonstrating the duo’s considered approach to their outlet, which has been set up to capture the true spirit of house music, basing its ideals on some of the industry’s most respected labels and keeping that timeless, classic ethos alive. this second release unites the label owners with a couple of newcomers to the scene. retaining the sultry outlook of the first release the groove brothers inject jazzy notes and smooth funky rhythms into their music, while mr ks and kub follow in a similar vein with their well-crafted contributions. ks expanding on the jazz theme, while kub takes a more sensual pathway. (words by marcus barnes)

poker flat capture mark henning in a rich vein of form for this ep of deadly deep and intense tech house. for almost a decade, the anglo-german, berlin-based dj has turned out consistent releases on an array of underground labels, but here his trademark combination of darkness, swing and technoid funk reaches new levels.

as a product of melbournes effervescent music scene, fantastic man, aka mic newman returns in 2015 with a four-track ep *el tropo* on his own fine choice label. following in the vein of his previous release *animal language*, which saw extensive plays from vakula, axel boman, young marco and tornado wallace.

previosuly unreleased material by chicagos great vincent floyd! early works, mastered from the original dat tapes. electronic soul classics, now available for the first time! all tracks are drowned with warm leads, dreamy drums and dragging melodies. the classic deep house sound in the vein of larry heard.

repress 2014 !!
after the hugely successful parties in paris, kill brique becomes a label for the more techier side of the house. it was hard to keep it up mixing all the styles on brique rouge. the almighty hardfloor open the new imprint with a huge huge track called soulful spirit , an hymn to independant music. you can expect the usual acid treatment as well as a detroit taste in a kms vein. pretty nice.on the flip and to prove you that we are dead serious about this new label we abducted josh wink when he came to paris and push him in the studio to make this good damn remix ! even oliver bondzio said he loves it, and the man is hard to please believe me ! so kill brique ! josh wink rmx

groovin hypnotic tech house / house
limited edition, handstamped, 300 vinyls only. entlet brings up the spirit of the ancient paraguayan tribe enxet. for the past twenty years, we have been delighted to discover shrewdly on the dancefloors his capacity to develop such a bestial jungle and magnificent rituals. he produced this trilogy with cosmic tones in the vein of the other label releases, an appeal to the collective trance and an evocation of the festive traditions that have transcended the past centuries. after countless epic adventures on the drum’n’bass scene, he has performed and produced mainly house and techno tracks. the echoes of his live appearances often reverberate long after the following day. some people say that he has the ability to pay a superhuman attention to the sound. through mystic condor, you will rise towards a joyful and powerful hypnotic state of mind. the feathered serpent will delicately bring you in an extraordinary journey. tramontina is a groovy and spatial evocation, an atmosphere deserving mr. fritz lang s movie. all the sounds progress constantly towards the highest level, like the sun. night new world is the most chill-out piece of this release, everything stretches and calms down, but never forget the whip lash.

the new dj rocca release for italian records is a cosmic disco track that takes you on a journey, a trip where synth pop meets italo disco and, when the machines used to run the rhythm.this is a proper journey to the hottest star of our galaxy...the sun...with 3 different versions: a more muscular original version, plus a dub version to lose yourself on the floor and a fantastic leo mas & fabrice version in their classic vein. a really hot as sun record for the dancefloor !!!

the return on bosconi of the wonderkids from firenze sud, herva and dukwa (aka marco d aquino) as life s track, consists in a explosive blend of pure freestyle ghetto goodness!! four burning tracks dense of special effects, sound manipulations through tape distortions and pyrotechnic structures: a side starts with the funky builder it fell down, a full on, rough and raw ultra filtered disco house dancefloor anthem in the vein of a more warped and f**ked up bangalter or shake shakir, while on the second cut there s the aggressive and drunk ghetto blaster of come on, on b side instead you ll find the breathtaking groove from the driving acid techno bossa of -rescue me- and the electro breaks from lost cassettes of the melancholic and dreamy closing ep lullaby -sometimes theycome back-..

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

*** vinyl only release! ***
brilliant 90s analog house music in vein of strictly rhythm / maw. limited to 300 numbered copies.

a1 - rework of a 1979 classic jammer, soulful & melodic. a2 - 80s boogie classic rework, monster bass. b1 - a heavy roy ayers rework. b2 - perfect to smash a dance floor with, of the leroy burgess vein.

cyber dance records are back on the attack with a fresh release from the legendary perseus traxx aka nigel rogers, a 4-track ep entitled after recent scientific developments an apparent horizon . its a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the uk s own rich history of electronic dance music, with elements from the classic warp -deep space sound- prominent as much as the more usual 303-jacking acid house grooves in the vein of baby ford or bam bam. lost dreams opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on side a with the irresistible roll of reverse the trend that takes the groove harder, further and deeperstraight off to the beyond. dark strings reminiscent of old lfo, b-12 or autechre vinyls from the early 90s propel us into side b on darkness stalks , and then we re transported onto the concluding track on the ep, distances , an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any m25 rave in the depths of a late 1980s night.

second in a series of three releases featuring remixes from the acclaimed trus me album treat me right . this time luke hess, truss & truncate bring their inimitable style to the fore. the deeplab detroit master turns out in much the same vein as his releases on fxhe & planet e working i want you into a subtler, more spacious groove. truss toughens up defunct , simplifying the track & giving it more friction for the dance floor. its slow gets treated twice to truncate s vision. mix 1 is all minimal pumping dance mania type moves whilst mix 2 is more textured with percolated bass & frayed keys.

artful spiritual minimal ... great soundscape, dubby feel

italian producer domenico camarilla has hit a rich vein of form under the jose manuel guise of late, supplementing output on his own black pepper label with feted appearances for tusk wax, is it balearic?, lectric sands and citizen kanes disques sinthomme. given his profile, a union with the soft rocks affiliated kinfolk label makes utmost sense and jose manuel fans will find much to enjoy about ajna. both the title track and *the clear after the storm* are steeped in eastern mysticism and feature heavy percussion from the man manuel, whilst the accompanying soft rocks remix will appeal to fans of rabih beainis *tanki tanki* edit.

n5md in conjunction with uwe zahn aka arovane has welded together an all new album comprising of tracks from as far back as 2002 and as recent of spring 2013. despite the different time periods in which the tracks were created the album sounds as if it was made in the same era/headspace and is very much in the stylistic vein of arovanes din releases. zahns ever stretching yet lurching swing-time beats envelop his signature less-is-more melodies like never before. ve palor is here, arovane is back! comes as limited edition 140g 2x12 lp plus download card (incl. three bonus tracks not available on the cd / lp).

great jazzy house tracks much in the moodymann vein... including two remixes by rondenion!

gtcm016 introduces d.k., a new artist to emerge from paris electronic underground. with an impressively accomplished sound for a debut release, this ep contains four original tracks and its all killer, no filler house in the vein of ron trent, moon b, ppu and future times

trackwork is a new label from london dj, producer, remixer - leo zero. each release will focus on strictly club oriented raw house music in the classic chicago / detroit / new jersey vein - inspiration comes from key labels such as relief, soundstream, basnotic, roule, crydamoure and many more.
with a focus on hardware sampler and drum machine based compositions that are laid down as a live performance and then edited after, trackwork aims to sidestep todays laptop sound, and bring a raw dj element to the material - with lots of happy accidents and natural freeform arrangements that are designed to work with naturally with the dancer and the intense club environment.

once more exciting things have been brewing in art departments studio over recent months. not only are they to release a much-anticipated full length on crosstown rebels in 2014, but they have also finished a red-hot new single. the sun comes up is reportedly the last record produced in the vein of their first album before the acclaimed duo release a slew of new material. it comes complete with an equally compelling remix from life & death alumni and break through duo mind against

silence in metropolis aims to act as a hub for new artists breaking through, artists who mine a forward thinking vein of deep house, techno and the many shades in between. for their 4th release they turn to uk talent michael mclardy for two original tracks and two remixes, one from p lopez and one from evren ulusoy.

running back boss gerd janson and fellow german phillip lauer are tuff city kids and are the next pairing to contribute to delsins house leaning series. their only previous ep came on ostgut sub label unterton and the tracks they offer up here continue in a similarly raw and analogue house vein.

brilliant 4 track dub techno madness in basic channel vein

nach der veröffentlichung des neuen albums tomorrows harvest, das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten...

following the success of factors compilations chandelier and lawson graham, the beatsmith embarked on a concept record in the vein of a prince among thieves and wound up with the melodic, complex symphony of woke up alone, mixed by factor himself at his home studio and featuring roles played by ceschi, open mike eagle, onry ozzborn, myka 9 and astronautalis. factors relatable allegory, scored by swirling synths, samples and live instrumentation, extends well beyond necromancy, as multitudes upon multitudes have gazed haphazardly in the rear view mirror and tried to resuscitate that which is irreparably gone.
code for free download of the full album included.

blue love featuring the vocals of erika tele is aux 88 black tokyo love theme for the dance floor. in the vein of detroits 4/4 classics from the past, you can know see that aux 88 has some full circle in their musical quest.
blue love is a happy and beautiful take on love and spiritual release you get while dancing on the dance floor. erika teles angelic robotic vocal make this a keeper.
dark deceptions opens with emotional strings and arp like baseline intro creating a sense of a movie intro. erika teles vocal are spoken words in japanese. the track is clearly a sort of intro for more.
the ep gives you a soft string beat dance driven homage to love. pick this up quickly sure to be classic dj track for aux 88 presents plack tokyo fans.

dj w!lds sweet & spicy ep is the 10th release on the parisians own imprint the w label and sees w!ld continue the fine form that has seen him reach the #8 spot in resident advisors most charted artists of 2012. w!lds unique style of strippedto-the-bone crunching beats, probing basslines and almost impossibly long, captivating breakdowns have seen him grace labels including cabin fever/rekids (who released his album d!rty), one records, act natural, snork enterprises, robsoul and catwash amongst many others in the past 12 months. the sweet & spicy ep continues in the same vein – all carefully roadtested by w!ld, the focus is on the dancefloor with influences from funk to acid all underpinned by those strong relentless grooves.

toronto-based duo a digital needle are purveyors of disco, funk, & soul edits, pruned for the dancefloor & subscribers to the mancuso method of deejaying, with a preference for quality sound and selection over long, elaborate mixes et al. they join forces with fellow canadian re-editor/producer cyclist to deliver a killer 4-tracker of the finest disco-funk. the release comes as red coloured vinyl in a full colour sleeve photographed by top photographer matt barnes (who has worked with snoop dogg, dimitri from paris, mike skinner, lily allen), in the vein of a lost disco lp from the 70s and looks amazing. this is the first release on tripped out records and is one hell of a debut.

it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.

a collection of previously unreleased cuts from his early hip hop days (2003-8). some big bad sample tracks with chunky hip hop beats. two rap remixes of mf doom and supastition and two cuts more in the vein of cut chemist or ruckus roboticus full of movie samples.

sampler 2 kicks off with scbs dissipate, a gritty 4/4 number thats been driving dancefloors crazy with its seemingly constantly ascending intro. this is definitely one of scbs finest productions to date and hugely sought after by his followers. basic soul unit provides the aa side, hot off the back of his debut nonplus 12 he continues in the same vein with untoward. this is heads down techno of the finest quality and this time hes thrown some acid into the equation which bubbles and brews into a monster of a track.

karat is going deep in the new house scene with this absolutely delicious release from the new dutch sensation tom ruijg. 2 nice tracks in a totally house vein, classic and modern as we like it. pure delight !

karat delivers vinyl extracts from his last compilation katapult festival. especially composed for this records, we are proud to bring them in their best support. each one in his proper style, skudge & portable in a dance vein, philippe cam in a more abstract way, these three artists deliver three masterpieces ! enjoy ...

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

following the great reception of hiverned 01 here is the second installment of hiverns edit series. in the a side, tbs >invitation to love<, a highly anticipated track that is finally released after becoming a fixture in john talabots sets. based on twin peaks osts >laura palmers theme<, the track rephrases angelo badalamentis clas- sic from an acid house perspective. adding analog rhythms and a crispy bassli- ne to the ethereal chords of the original composition, this refix manages to keep the dream-like atmospheres of the song while transforming it into dancefloor- ready groove. the idea is simple, the results are magic. on the flip, marc pinol repeats appearance on the series revamping some lost australian minimal-wave track. in the vein of his previous >wheels< edit, the track conjures gloomy atmospheres and sparse rhythms with gritty synth melodies. on the top of it, the barcelonian producer adds dialogues from spanish cult art-house film >arrebato< (hence the title) multiplying the obscure ambience of the tune. once again, the release comes in a limited edition 10 inch wrapped in a handmade silk-screened sleeve. no digital and no-repress.

alejandro vivanco, chilean producer and dj offers us >energia roja<, an unusual and sensory journey into his minimal, organic techno universe, which takes us far, far away, on a journey to the distant borders of abstract. in the same, insane and twisted vein, >los imaginarios< is an invitation into a land of dreams, a perfect soundtrack to tim burtons alice in wonderland played in slow-motion and a perfect companion to further appreciate this epic journey. two non-conventional tracks which are somewhat reminiscent of productions from berlins perlon records.
last but not least, the remix of >energia roja< by jens bond, one of berlins techno activists that needs no more introduction, this rendition takes us a step closer to the dancefloor with a minimal, deep version of the track that is just perfect for those lush, sexy warm ups.

badance is a deep house and techno label based in paris, france. our label is for us a platform for beauty, dance, experimental, and every nuances that the spectrum of music has to offer.
for this first ep, we want to share with you who we are, what we love and what we will do. the name of the flight that marked the beginnings of badance was naturally chosen. we are proud to introduce you bmbf aka benny must be free, born and raised in paris. he travels through music to detroit, chicago, berlin and many other places in the world. he wanted to share this ubiquity by choosing artists from around the planet. naturally, one the main references in the world of deep house and techno was chosen: patrice scott. he created an inspiring abstract dubby remix. banfield audio as friends and music lovers were exactly in the vein of the artistic direction of the ep: deep, deep, deep. experimented and sensitive, they gave to >surround me< an abyssal atmosphere that fits perfectly with the whole ep. underground quality was searched we hope we found it. now, listen, share and enjoy.

sold out - deleted - a classic jamiroquai album from 2001, cd-copy included.

sspt005 / inversions is the second outcome by plural on separate skills recordings. the new release by daytons mastermind james johnson is a clear statement to follow up with four powerful dance-floor oriented tracks. again made up of driven metallic chords, dub and detroit techno elements in the vein of the last release, this 300 copies limited 12inch vinyl record is refined to be a killer!
all tracks written and produced by james plural johnson, dayton ohio usa. masterings by christoph grote-beverborg at dubplates & masterings studios berlin.

the bolognese disco don riccio returns on bosconi extra virgin with strong houseyoriented 4 tracker vinyl with a stunning dj sneak remix! still embedded in obscure disco and soul sampling, riccio is always keeping his distinguable touch dense of inspiration and love for the original american deep house rooted sound. about the beautiness of the tracks we can say that come back is a loopy and techy disco banger in the vein of ugly edits and soundstream, while son of love and undercover are two swinging and sweet deep house moments like we never heard rom riccio before. the release includes a pumping filtered reinterpretation of come back by the almighty dj sneak!

chicken lips are back with a new release on southern fried records. d.r.o.m.p (don’t rain on my parade) is a disco inspired groove that draws on the nyc eighties vibe that has always been at the heart of the lips work, with guest vocalist charmaine making up the line up on this outing.
it comes with a stunning set of remixes, as always andy from the lips has created an emperor machine interpretation that is darker and more cosmic than its original, dean does the same job under his the rhythm odyssey moniker, providing a jerky acidic house dub for the deeper floors. old pal headman turns in his classic slo-mo tight grooves, new kids amine edge & dance go deep as you like in the same vein as their diynamic releases and finally sfr favourite sona vabos delivers one of his finest remixes to date, with this bouncy floor filler.